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Artists — Digital Art and Experimental Electronic Music

Profiles of artists working at the intersection of technology, music and digital visual arts.

11 artists

Filter by: All Electronic Music Generative Art Sound Art VR / AR Live Coding

Vic Bang

Música Electrónica Experimental

Buenos Aires-based artist building experimental electronic music from FM synthesis, field recordings and everyday acoustic material since 2006.

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AVR010

Electronic Music

AVR010 (Emilia Monin) performs live audiovisual sets in Buenos Aires — real-time generative visuals in TouchDesigner alongside electronic music in…

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Vanesa Massa

Electronic Music

Vanesa Massa composes multichannel acousmatic music and spatial audio installations in Buenos Aires, working with ambisonics and Max/MSP. Presented at…

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Erin Gee

Sound Art

Erin Gee designs biofeedback instruments that convert galvanic skin response and heart rate into real-time electronic sound. Associate Professor at…

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Lain_9

Electronic Music

Buenos Aires-based live coding artist performing algorithmic music with TidalCycles and SuperCollider, active in the TOPLAP community and the Argentine…

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CLON

Electronic Music

Argentine-Chilean experimental electronic music and visual art project combining circuit bending, experimental techno and live audiovisual performance.

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Prifma

Electronic Music

Argentine generative art and electronic music artist producing algorithmic compositions and visual experiments using Processing and p5.js from Buenos Aires.

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Motia

Electronic Music

Argentine duo working in analog synthesis and real-time visual art, building live audiovisual performances from modular hardware and VJ systems…

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France Jobin

Electronic Music

France Jobin is a Montreal-based sound and installation artist working with sine waves and field recordings. Releases on LINE and…

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Magdalena Molinari

Generative Art

Argentine architect-turned-light-artist Magdalena Molinari creates walkable, site-specific LED installations. Teaches at UNTREF. VR collaboration with Erin Gee via Amplify DAI.

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